“Peninjauan Ulang Terhadap Teori Laras Dan Surupan Karya Raden Machjar Angga Koesoemadinata.” Panggung XXXII: 54–66. “Etnomusikologi & Filsafat Nada.” ASTI Bandung. “On the Musical Scale of Various Nations.” International Journal of The Society of Arts XXXIII (1.683).

Yogyakarta: Pustaka Pelajar.Įllis, Alexander J. Research Design Pendekatan Metode Kualitatif, Kuantitatif, Dan Campuran, Edisi 4. Yogyakarta: Pustaka Pelajar.Ĭreswell John W. Research Design, Qualitative, Quantitative and Mixed Methods. That result can also reveal that pélog gamelan really exists in Sundanese culture, proven by Sari Oneng Parakansalak gamelan which is made in Sumedang in 1825.Ĭreswell, John. Therefore, the result of this study is taken from three waditra saron which indicates that Sari Oneng Parakansalak gamelan tends to have laras pélog djawar with its 87,19% of similarity. From those two techniques, it can be detected that there are some waditra which are inappropriate to be used as samples.

The data of each waditra and the average of whole measured waditra are used to analyze the data of measurement result. This study uses Da Tuner Lite which is validated with Korg Orchestral Tuner (OT-12) as the measuring instrument. Koesoemadinata and the fact found in the field, this research also informs about Sundanese pélog gamelan, which its existence is still hesitated/questioned by some Sundanese society.

Besides giving a conclusion about the conformity between laras theory of R.M.A. The result of this research is in form of persentation numbers which reveals the similarity between laras system of Sari Oneng Parakansalak gamelan and laras theory of R.M.A. Koesoemadinata is used as the comparison to investigate what kind of laras is the laras scheme resulted from Sari Oneng Parakansalak gamelan’s interval arrangement. This research give a provides clues about the existence of pelog gamelan in Sunda which is still debated until nowadays, which becomes the main reason why the writer is interested to measure the laras of Sari Oneng Parakansalak gamelan. It attempts to find out the interval arrangement, which forms a scheme called laras system. The research of measuring laras of Sari Oneng Parakansalak gamelan uses convergent parallel mixed methods.

Tangga nada lagu sunda